![]() ![]() ![]() ![]() Next Section To Catch a Thief Summary How To Cite in MLA Format Sexton, Timothy. Will review the submission and either publish your submission or provide feedback. You can help us out by revising, improving and updatingĪfter you claim a section you’ll have 24 hours to send in a draft. It is a testament to the film’s position as a choice for deeper and meaningful attention within that body of work that most of the discourse directed toward the film in the more than half-century since its release is devoted to the disquieting coincidence concerning star Grace Kelly as it relates to the setting of the film’s famous car chase sequence and the real life setting of her fatal automobile accident a few decades later. For those viewers wanting to start a conversation about Hitchcock’s position in the history of film or create a discourse on the deeper meanings to be found in the director’s films, To Catch a Thief just shouldn’t be among your top ten choices from Hitch’s body of work. For anyone wanting to enjoy the sublime pleasures of listening to Cary Grant and looking at Grace Kelly, this is a perfect film to sit back and enjoy on a lazy Sunday afternoon. To Catch a Thief is a pleasure to look at and listen to, but once the final credits fade from the screen, unfortunately, so does most of one’s memory of what just took place. Which is not to suggest that the film is not a pleasantly diverting little romp punctuated with suggestive double-entendres and engaging dialogue as well as captivating visuals that leave little doubt why the film’s only Oscar win was for its cinematography. While Hitchcock had a habit of tossing in a thriller with a heavier than usual dose of light comedy throughout his career, there is no getting away from the fact the lack of complexity and abandonment of much psychological penetration into the main character makes To Catch a Thief stick out like a sore thumb at the point in his career when it was released. On the up side, To Catch a Thief is no The Paradine Case, either, so at least it has that going for it.Īfter making two of his most claustrophobic films back to back- Dial M for Murder and Rear Window-one gets the distinct impression that the driving impetus behind Hitchcock’s decision to lavish his talents during a period when he was he inching more and more toward a preference for psychological depth and complexity of character over plot on a bit of utter fluff like the source material for To Catch a Thief was the opportunity the story offered to get a little variation into the workday. In other words, To Catch a Thief is no Vertigo or even a Marnie. So far, To Catch a Thief has not yet managed to become one of those films regarded as a rather lightweight addition to the canon of Alfred Hitchcock at the time of its original release that a later generation rediscovers and decides is high art. We are thankful for their contributions and encourage you to make your own. But Grant's debonair and oddly unlocatable mid-Atlantic identity is absolutely right for the part.These notes were contributed by members of the GradeSaver community. Francie finds something inauthentic in Robie: "like an American in an English movie". 1h 46min Age rating PG Director Alfred Hitchcock To Catch a Thief (1955) Watch Now Stream Subs HD Rent 3.99 4K PROMOTED Watch Now Filters Best Price Free SD HD 4K Stream Subs HD Subs HD Subs 4K Subs 4K Subs HD Subs HD Subs HD Subs HD Subs HD Rent 2. Her own jewels are glittering symbols of sexual unavailability, and there is something almost outrageously metaphorical in their verbal fencing in her suite at the Carlton hotel, as the fireworks explode outside. ![]() He can only clear his name by collaring the real culprit – and while on this person's trail, he encounters the beautiful heiress Francie: the stunningly ice-blond Grace Kelly, pampered, bored and turned on by John's reputation. Cary Grant is John Robie, the reformed cat burglar living quietly on the Côte d'Azur, under suspicion for carrying out a spate of daring jewel thefts in Nice and Cannes. Suspected in a new series of gem heists in the luxury hotels of the French Riviera, Robie sets out to clear himself - and catch the real thief - with the help. Diamonds are what the movie worships amid the sapphire-blue of the Mediterranean and cloudless skies Hitchcock wittily begins by disrupting those tourist images with a scream of horror from a woman whose valuables have been swiped. To Catch a Thief is a 1955 American romantic thriller film directed by Alfred Hitchcock, from a screenplay by John Michael Hayes based on the 1952 novel of the same name by David Dodge. The south of France is resplendent in all its cynicism and discretion. Hitchcock's superbly insouciant crime caper from 1955 must surely be one of the last movies in which the American super-rich are indulged so extravagantly and adoringly – the kind of people who stub their cigarettes out in fried eggs. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |